The mansion of singer José Rico, who was a duo with Milionário, goes to be auctioned to pay the money owed of a former worker. Valued at R$ 3.2 million, the constructing is situated within the metropolis of Limeira, within the inside of São Paulo, near Rodovia Anhanguera (SP-330).
With greater than 100 rooms, a recording studio venture, a ballroom and a viola-shaped pool, the mansion was the dream of the singer, who died in 2015, aged 68, with out ever having seen the development accomplished.
A former worker of the duo filed a lawsuit in court docket, through which he alleges that he didn’t obtain his labor rights throughout the years 2009 and 2015, when he was working with José Rico.
O Estadão contacted Jamile Abdel Latif, lawyer for the singer’s widow, Berenice Martins Alves dos Santos, who claimed that Latif left the stock.
The mansion, in response to the singer’s son
José Rico’s preliminary plan was for the setting to be an area for the household. The works have been began in 1991, however have been by no means completed. At the moment, the property is deserted.
The singer’s son, Sâmi Rico, mentioned, in an interview with journalist André Piunti, that José Rico mentioned that at some point he would promote the citadel, however provided that it went to a wealthy Japanese man. “‘If at some point a Japanese billionaire needs to purchase, dad sells'”, mentioned Sâmi.
Based on Sâmi, José Rico himself designed the areas and environments he needed and handed them over to the bricklayer.
“He began: ‘I am going to attract a bit of nook right here’. Then he took the paper himself, scribbled like this, went to the mason and: ‘construct this right here’. He despatched the thought, the architect arrived and did the remainder. despatched the thought. And nothing was ever completed, as a result of it began right here, stopped, and went”, he instructed the interviewer.
The mansion works as a vacationer spot for the singer’s followers and a few content material creators and influencers have already ventured to comprehend it, sharing the movies on social networks, however throughout the interview with the journalist, Sâmi mentioned he believed that such movies weren’t filmed with authorization.
