On the peak of her 55-year profession, Vera Fischer returns to the theater scene deciphering an unpublished textual content by Eduardo Bakr
In After I’m a Mom, I Need to Love You Like This, Vera Fischer is Dulce Carmona, an aristocratic septuagenarian who receives the information that her solely son, Lauro (Mouhamed Harfouch), goes to marry a lady she would not know (Marta Paret). . From then on, Dona Carmona begins a battle with the bride to take care of the household’s picture and the comedy reveals the battle of an obsessed mom to present her son a future “worthy of his social class”.
“The play places a magnifying glass on the emotions and sensations of every of the characters. I spotlight within the textual content the exaggeration of ideas, wishes and motivations”, says creator Eduardo Bakr. After I For Mom I Need to Love This Approach is on season at Teatro da Unip on Could twentieth, Saturday, with periods at 6pm and 9pm, and Sunday, twenty first, at 5pm. Tickets on sale at Sympla and Belini (113 Sul).
Acknowledged for guiding nice musicals, Tadeu Aguiar celebrates 42 years of profession staging this comedy. “Along with maternal love, there are different loves permeating the play: the love of the son for the mom, of the person for the lady, of the lady for the person, and even for the youngsters which will come”, particulars Tadeu, who describes: “After I For Mom I need to love this fashion reveals slightly of this atavistic love, stronger than us “. Tadeu directed A COR PÚRPURA, a musical with greater than 70 awards acquired.
In her simply accomplished 71 years, Vera Fischer says that she loves doing theater and dealing: “My life would not make sense with out work. I would like work. I’m impartial. I need to work till my a hundredth birthday, I need to have an even bigger and higher social gathering than my fiftieth! And that! I am that sort of one who celebrates life day by day!
The costumes by Dani Vidal and Ney Madeira search to intensify the characters’ personalities, supporting their transformations all through the present. A palette starting from nude tones to intense burgundy marks Carmona’s trajectory, with the identical palette being utilized in reverse gradation for Gardenia. “On this means, we search to steadily place the bride and future spouse of Lauro, within the place the place she initially finds Carmona”, says Dani Vidal. “Lauro stays in an intermediate place, mediating the 2 intense and girls, marked in shades of blue”, specifies Ney Madeira.
Natália Lana’s setting units the present in an aristocratic home with a sure decadence. “Though at first look now we have a practical state of affairs, we search for breaks and cuts that symbolize the power of the connection between these two girls who spare no effort to realize their objectives. We opted for a coloration palette loaded with gold and pink to additional emphasize this power”, describes Natália.
Daniela Sanchez’s gentle retains the environment of fixed stress. With gentle it’s attainable to govern, virtually imperceptibly, by means of the completely different angles and clippings, the adjustments of scenes, in an environment of thriller and suspense. This, with out dropping the acid humor that the play offers. The soundtrack by Liliane Secco is all unique, “I take advantage of digital devices, a useful resource that doesn’t require the participation of stay musicians”.
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After I’m a mom I need to love like this
Location: Teatro Unip – SGAS 913 – Asa Sul, Brasilia
Season: Could twentieth and twenty first
Periods: Saturday, at 6 pm and 9 pm, and Sunday, at 5 pm.
Tickets from R$ 25 on the Sympla web site and on the Belini retailer (113 Sul)
Parental score: not beneficial for youngsters underneath 12 years outdated
Length: 80 min
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