Within the opening scene of the play O Caso, an peculiar man (performed by Otavio Muller) arrives at a psychoanalyst’s workplace (performed by Letícia Isnard) and, requested about what introduced him there, replies with out blinking: “I discover all the pieces very boring , I am unable to take note of the rest and it began in a play three years in the past”. The entice of the French playwright Jacques Mougenot is ready to achieve the complicity of the viewers.
The Brazilian model of the play, directed by Fernando Philbert, premiered on Saturday, twentieth, at Teatro Bravos, after a profitable season in Rio.
Underneath the comedian packaging, The Case engages the viewer to attract consideration to a pertinent topic, the lack to pay attention within the face of the barrage of knowledge acquired on a regular basis and the dearth of curiosity in the direction of others. That is the massive query for Arnaldo, Muller’s bored character, who, on the verge of sinking into despair, assumes his lack of persistence to take care of the smallest challenges of on a regular basis life.
The therapist, in addition to the affected person, must tame nervousness as a result of it’s tough for him to make any prognosis in regards to the topic. “It is only one extra sufferer of the disaster of capitalism that has put us in a bottomless gap”, says Letícia. “You venture your conquests and if you attain them you fall right into a void that appears to haven’t any resolution.”
Otavio Muller acknowledges that it’s essential to relearn to sail the boat with out accumulating frustrations, particularly after the pandemic. “We have already overcome some current social and political mishaps, however our life remains to be actually boring, difficult in issues that must be easy and that generates an instantaneous identification of the viewers”, he says.
Muller reveals that he has had particular person remedy up to now with the intention of overcoming a panic assault and the onset of despair. “It was actually good for me and I am fascinated with going again, but in addition a household remedy that we did along with our kids and our exes was crucial.”
Letícia returned to the sofa, after a protracted absence, six months in the past. “There are occasions after we want a mediator between us and ‘our selves’ and, with the tip of the pandemic, I noticed the necessity to perceive this second”, she assumes.
The actress, nevertheless, tends to see the brilliant facet of life and, in response to her, simply being with Teresa, her 8-year-old daughter, recharges her vitality and eases any disaster.
As for work, she will’t complain both. In between performances in São Paulo, Letícia recorded a participation in Amor Perfeito, the six o’clock cleaning soap opera on Rede Globo.
It isn’t simply O Caso that places characters keen to research the methods of the unconscious on Brazilian phases. A minimum of three different reveals discovered a well-liked response when coping with topics associated to psychology, reminiscent of Freud’s Final Session and Freud and the Customer, in São Paulo, and Baixa Terapia, in Rio.
“The investigation of the unconscious crosses the general public in full as a result of we spend our lives desirous to know what the opposite thinks and the theater is the mirror of man and his picture”, evaluates director Felipe Philbert, who believes that these reveals take care of conditions widespread in everybody’s life.
The knowledge is from the newspaper The State of S. Paulo.
The put up ‘O Caso’ discusses existential boredom with humor appeared first in Jornal de Brasília.
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